The Magic Mountains by Marjolaine Lévy

« In the adventure novel Journey to the Center of the Earth (1864), Jules Verne writes: “What is curious about this land of Iceland is not above, but below”. The photographs of Matt Bohli demonstrate the opposite. The exhibition Among Giants presents twenty-five photographs showing the majestic volcanic landscapes of Iceland. Since the early 1960s, this land of mist characterized by the omnipresence of an extraordinary nature has been a subject for many artists, and especially for Dieter Roth, a true mentor of the Icelandic art scene. However, in the famous sculptural series Island (1968- 1970), the island of Roth distances itself from an image of pure beauty to become a heap of waste and rotting food. Matt Bohli’s Iceland has nothing to do with the degraded representation of the member of Fluxus, it is even quite the opposite. The mountains of Among Giants, whether misty, sunny or snow-covered, devoid of any human trace, in an impeccably mastered framing, celebrate the spectacle of an almost overwhelming powerful nature, not without recalling the notion of «sublime» as the German romantics described it, – Friedrich von Schiller states in On the Sublime (1798) that “on the mountains dwells freedom”. Matt Bohli’s own photographic protocol comes to confirm Schiller’s words. The mobility of the artist’s gaze on these landscapes, like a cinematographic tracking shot, testifies to a way of nomadism reminiscent of the practice of walking artists, Richard Long or Hamish Fulton, who since the mid-1960s have made traveling in the natural landscape the heart of their work. Matt Bohli walks, wanders, strolls and roams on these Icelandic mountains in search of the ideal image which, unretouched, will translate the very concept of sublime, in a perspective of reconciliation of man and nature, heir to the Rousseauist fantasies of the Reveries of the Solitary Walker (1782).

While the landscape genre in contemporary photography is fundamentally a social documentary style questioning the mutations of the territory, the photographs of Matt Bohli in their exaltation of beauty appear as singular in testifying to a duality: both unprecedented in the view of a current trend of neutralization of the aesthetic dimension in favor of a documentary observation, and traditional, because they are part of a classic and pictorialist approach to landscape photography ».